Tana French's "Faithful Place"

My review in the Boston Phoenix:

"Frank Mackey's life changed when he was 19. The year was 1985, and he and his girlfriend Rosie Daly were about to run away together. Growing up in Faithful Place, one of working-class Dublin's more depressed byways, they knew they had no future in Ireland, particularly because Rosie's aspiring family despised Frank's booze-ruined clan. London — freedom — beckoned, and they were making their break.

Except that Rosie never showed, and the letter Frank found made it seem she shared her parents' aversion to his violent, alcoholic family. So he went off alone, hating everyone who'd doomed him to a lonely, loveless life.

Twenty-two years later and Frank Mackey is still in Dublin, though he's never returned to the old neighborhood. Now he's on the Undercover Squad, with a beautiful daughter, an educated ex-wife, and the kind of life nobody in Faithful Place could ever imagine. His only contact with the past is through one sister, Jackie. And so, when she calls to say that Rosie's suitcase has been found in the abandoned house where the lovers used to meet, the complications are not only criminal, they're personal, as Frank's past rises up to meet him with a vengeance....

Read more: http://thephoenix.com/Boston/arts/104817-tana-french-gets-her-characters-where-they-live/#ixzz0tRH35yrf

Chatting with Tana French

Two weeks ago, I got to interview Tana French for the Boston Phoenix. The Edgar-winning author of In the Woods was in town promoting The Likeness, her second smart psychological mystery, and we had a good chat over coffee in the elegant Oak Room. I got to pick the choice bits of our conversation for the Phoenix, which you can read here. But, space being what it is, I couldn't fit everything in. So here are some bonus bits:

You've been successful as an actress, so why start writing?
Everyone else in my family is a writer, but usually nonfiction. I think it's only me and a cousin who write fiction.

I've always written. I used to write short stories,and then some godawful poetry when I was a teenager. I never decided to go back to writing, I just had the idea [for In the Woods] and I really wanted to see how it would turn out. I really didn’t think I could write a book, but I figured I could write a scene, and then another scene, and the next thing I knew I had a chapter.

Does your acting background influence your writing?
Yes, because for me, what the character would do shapes the plot, not vice versa.

There’s a little bombshell dropped at the end of The Likeness that refers back to something in In the Woods. Had you planned this all along?
No, I didn’t have a clue. That showed up halfway through The Likeness when I was starting to write -- it was sort of back engineered. What happens in real life is that you’re wandering around the house daydreamign and you go, "Oh! I know!” ... Your subconscious does stuff that you weren’t planning on, and it seemed obvious, like I’d been planning it all the time.

Fly, kitty, fly!

A genetic mutation – or the miracle of photoshopping? Either way, this amuses. Thank you, Caroline Leavitt, for sending it along!
Here's the link to the supposed news article about this Chinese winged cat, who supposedly sprouted wings to escape sexual harrassment.

Um, in other news, I've been busy with Probable Claws revisions and a bunch of outside projects. One of which involved me having coffee with Tana French in the Oak Room! I'll post more of that when the interview pubs next week.